How did ancient Greek music sound?

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What do we learn about Greek music from this article – its composition, its performance? How has Armand D’Angour recreated those ancient musical ideas? And how has David Creese specifically managed to reconstruct/perform the musical epitaph of Seikilos? How do you like it? And the otherperformance? (Think about our earlier discussion of imagined Neanderthal music, too.) Finally, what does Seikolos’ epitaph suggest about the Greek attitude towards life?